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In addition, using the handle end of his paintbrush he traced lines into the paint to mark the hair, and used pigments with the fluidity of watercolour for other areas, allowing them to drip down the canvas in a fearless approach to the medium that is truly astonishing. Even more surprising is how Rosales demonstrated his sensibility as an artist by capturing on this canvas -despite its extremely agile, synthetic technique- the palpable, carnal sensuality of the female form, transferred to the painting with absolute honesty and without any idealisation or artifice. The model, withdrawn into her own world, dries her skin, her back to the viewer. Queen Isabella the Catholic dictating her Will. Tobias and the Angel.